Today I will:
walk around town
take pictures
get dishes cleaned
wash some laundry
make a grocery list
breathe
I bought some studio type lights today. I should get them next week. They are not the best out there, but they were the best I could afford. I have some portraits coming up:
1. engagement portraits for sisters sister in law
2. maternity shoot
3. Mr. L's cousins Family (actually 5 families in one)
4. my own family
5. wedding in april
I need the practice. I am excited to possibly start making a few bucks with this hobby. It will take a while before a profit is made since I am still investing in equipment and still not real good at the portraits yet.
My cousin is opening her own salon and wants some of my photos as display (and to sell). I am slowly putting myself out there. That is tough for me. I hate promoting myself, I feel like it makes me sound cocky. Need to get over that.
Today's grateful things:
1. I did something silly today and it made Mr. L laugh and smile all the way to the car when he left for work. That made me feel giddy.
2. the sunshine, it is supposed to be 64 today! Nice!
3. It does not feel like such a strain to smile today, the last few weeks my cheeks felt like they were weights and it makes it so hard to smile.
4. the colors of autumn
5. miss Luna who woke me with her little dance on my shoulder and sweet little mews
Deux voxeurs qui ne se connaissaient pas. Deux voxeurs que tout séparait, l'âge, la situation perso, l'identité culturelle, leur passé. Deux voxeurs qui ont tenté leur chance, en quête de la même aspiration: trouver la sérénité dans l'amour. Deux voxeurs qui s'attachent jour après jour, à célébrer cette romance d'aujourd'hui, commencée sur la toile et qui a donné cet enfant, Alexandre, 1 an ce 4 novembre.
Freelance life can be tough. Long gaps between commissions. Accounts departments who just can't seem to find your invoice. Not to mention the ever-present need to get your work seen by the people who count.
Jonny Wan, a freelance illustrator from Sheffield, knows all about that. A graduate of the Manchester School of Art, he's constantly striving to ensure his unique illustrative style (think abstracted facial expressions, patterns, symmetry and hand-drawn lettering) snags the attention of creative directors everywhere – and he does so via Business Cards and Postcards from MOO.
MOO first caught his eye at his university degree show, where he noticed that all the students' cutest promo materials were produced by the same company – MOO! Then we tempted him with a free Business Card sample, giving him a chance to try our ordering software ("simple, logical and gives the user complete control") and evaluate our print quality and finishing ("very pleasing"). Duly hooked, Jonny ordered a set of Postcards and some Business Cards featuring a range of his work, and is preparing to send them off to art directors as we speak.
As an illustrator, working in a visual medium, presentation is very important to Jonny. "I like to make little promotional packs of my postcards and business cards", he says. "I send them out packaged in self-seal clear bags. It's good to put real thought into how the art director receives your promo materials – it's boring to just whack some cards in an envelope."
Like many creative types, Jonny's happiest when he's working, even between commissions. An example of this is his self-initiated "Can't Afford It" project. Whenever he wants an item of clothing he can't afford, he draws it instead! Eventually to be self-published as a book, working like this helps him improve his work rate, hone his Photoshop and Illustrator skills, and keep his unique style fresh and ever-evolving.
No matter how his style develops, MOO's short print runs means that his promotional materials are always in step with his latest work. "As an illustrator, your style is always changing and improving. The last thing you want is to end up with a thousand cards of the same design. You need to keep existing and future clients up to date with your freshest, latest work, because essentially they will hire you based on what they see on your promo material. It's no good for an art director to commission you only to find that your illustrative style has changed or moved on." He laughs. "After all, you wouldn't be happy buying a Jay-Z CD to find a Metallica disc inside, right?"
When designing his cards, Jonny also took advantage of a new feature that allows users to upload images for both the front and the back of the Business Cards. "Anything that gives you more options allows room for creative control – and it's that kind of flexibility that keeps me coming back to MOO. The ability to upload images for both sides of the Business Cards enables you to make the cards completely unique."
"A business card is usually the first point of contact between a new client and an illustrator, so it's important your card jumps out at people while being straight and upfront with your contact details. The fact that the cards can be individual rather than generic also gives a sense of professionalism – people can be impressed that you've put the effort into designing your own cards. A little effort can go a long way."
Jonny's constantly thinking of new ways to promote his work using MOO products. "I love the Stickers – I can see them being a very unique selling point. They're a little different and unexpected, which is beneficial in an industry where everyone strives to promote themselves in a unique way."
MiniCards appeal to him for the same reason. "MiniCards are great because they get straight to the point and don't take up a lot of space. Art directors get bombarded with samples every morning. They open their mail and have to make snap decisions about what to keep and what to chuck."
"They're more likely to pin a MiniCard onto their noticeboard than, say, a leaflet, because they know it won't take up a lot of space. And if your work's on their noticeboard, they're more likely to bear you in mind when it comes to commissioning. And that's what it's all about!"
Thanks for talking to us Jonny! We look forward to seeing more of your work soon.
Like Jonny's work? He's available for commissions so get in touch, and say hello from us too.
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The Grates Setlist ♥ 7th Street Entry, Minneapolis (11/03/09). Tour Dates
11/05/09 Radio Radio Indianapolis, IN
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11/07/09 Schubas Chicago, IL 11/08/09 Magic Stick Detroit, MI 11/14/09 Bowery Ballroom NY 12/31/09 Purple Sneakers Sydney |
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Patience in the Audience ♥ 7th Street Entry, Minneapolis (11/03/09) |
That's the kind of weird stories you hear from her, even on stage, they're referencing strange things like trying to hi-fi-ing the "fat guy with the beret" or asking if there were any vikings in the audience. But before I get to all those crazy details from the 7th Street Entry last night - opening up for them was Zoo Animal (official / myspace). I had seen singer Holly Newsom before, but as a soloist. This time, she's doing Zoo Animal songs, not just her solo material.
Holly made some jokes, like how 'grate' the Grates should be to noticing that They Might Be Giants were playing next door and how "we might be miniatures". Most of the audience that showed up early, I think showed up because of Zoo Animal and possibly Ice Palace.
Unfortunately, at the last minute, Ice Palace canceled (I am told the singer was sick), they were replaced by Story of the Sea (official / myspace). Bassist John admitted that they only had a five hours notice. Despite the feedback and false starts, I thought they held up pretty well all things considering.
I will say that they seem older, for the kind of crowd that was there last night. Their music sounds like classic progressive rock. I don't know any of their songs, but I did like the song that had something to do with eyes and being gone.
Other things I learned from Patience: if you eat enough of your hair, you'll have to take a pill to poop out the hair. Hence "hair butt". Fist-bumping, she tells us is called "boning". She likes to climb onto things, or jump into the audience and singing... while using a twirling baton. Fun to watch, but they also require audience interaction.
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If you are looking for a good time or see cuteness in action, check out Brisbane's export, The Grates touring through your area. They are quite approachable, so please have a friendly chat with them after the show. Their lastest album is called Teeth Lost, Hearts Won, which if you get it on vinyl, will come with a bonus CD. I might also suggest checking out their debut album, which four singles from that album made it onto Triple J Hottest 100. I'm sure Sally will keep us informed of the 2010's Hottest 100.
Bonus: Enjoy "Trampoline" from Til Death Do Us Party: Live At The Forum DVD
What we have in store for you are three very special Christmas albums that's already released or coming out soon-ish.
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putumayo.com
Putumayo's Christmas album came out at the end of October, and features eleven tracks of very well-known Seasonal songs, including "Winter Wonderland" and "Frosty the Snowman". The emphasis seems to be on "family", as these are all very cheery and traditional-sounding. Which should also translate to boring/age-old songs, but this being from the folks at Putumayo, is nothing but predictable.
Starting with appetizers, Johnny Bregar's banjo-like strumming and snapping to "Santa Claus is Coming to Town". We move to some smooth drink with a jazzy "Holly Jolly Christmas" by Martin Sexton.
The main dish for me is a swingy big band "Is Zat You Santa Claus?" by Big Bad Voodoo Daddy. Now, I've heard of these guys when "Swing was the thing" movement, but I had no idea they were so good. Based on this Christmas song, I can see why the band was honored to play the half-time at Super Bowl in 1999.
My other favorite off the album is the Hawaiian Christmas song, "Mele Kalikimaka", as a duet between Debbie Davies & Matt Perrine. The song sounds very retro to me, like something you'd hear in the 1950s by The Andrews Sisters, especially because I have visions of Ukulele and Hulu hoops, as I'm drinking my Kauai Cocktail.
The rest of the album seems very snacky, especially with the acoustic version of "Winter Wonderland" by Deana Carter. This works because of Carter's sweet voice. The other girl-singer Kate Rusby, who brought an international flavor to "Here We Come A-Wassailing", you can tell with her English accent.
The album comes to a close with a dance-for-all jamboree "Frosty the Snowman" by Lars Edegran and his Santa Claus Revelers. This instrumental sounds very New Orleans to me, a bit of jazz and wild swing that grooves you to dance out of the restaurant.
As usual, with all Putumayo's releases, this release comes with a handsome packaging with large lyric book (two pages of biography is devoted to each artist, written in English, French, and Spanish). If you're not convinced, you can hear three more songs at putumayo.com with the option of downloading a free song from there.
Tour Dates
12/05/09 Vaughan’s New Orleans, LA
12/07/09 Blue Nile New Orleans, LA 12/10/09 Bullet’s New Orleans, LA 12/12/09 Vaughan’s New Orleans, LA 12/17/09 Bullet’s New Orleans, LA 12/19/09 Vaughan’s New Orleans, LA 12/21/09 Balcony New Orleans, LA 12/24/09 Bullet’s New Orleans, LA 12/26/09 Vaughan’s New Orleans, LA 12/27/09 Blue Nile New Orleans, LA 12/28/09 Balcony New Orleans, LA Read More
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myspace.com/kermitruffinsmusic
Speaking of New Orleans and jazz and Putumayo alumni, Kermit Ruffins has a Christmas album coming out on November 10th called Have Yourself a Crazy Cool Christmas.
As expected, this is an album of Christmas standards, but with a jazzy twist. Lots of trumpets and piano-playing on the album. Ruffins does some scatting "What Will Santa Say When He Finds Everybody Swingin’", which you can clearly hear some Louis Armstrong-influences.
While I say these are standards, these songs often have change in either musical shifts or lyrics have been changed or sung in a very different way. I noticed that "swing" replaces a few words, like in "Santa Claus is swinging into town". Also, as with most jazz improvisation, the music often become its own entity, usually stretching out the songs into five or six minutes, when traditionally they're two or three minute songs. For instance, "Little Drummer Boy" is now a sad New Orleans-style six minute epic song.
My favorite on the album is the duet "Baby It's Cold Outside". My review copy does not include liner notes, so I do not know who the part of the woman is sung by. Anyway, it's not as cheesy as the Tom Jones and Cerys Matthews version, but it's still pretty funny whenever I hear this song about a couple fighting and the guy is locked outside his home. Ruffins' humor can be found on his title track, "Have Yourself a Crazy Cool Christmas" where he warns people to have a crazy cool Christmas, but "don't get knocked up!"
If you want to hear Christmas songs in a jazzy style, you do need to check out Kermit Ruffins' Have Yourself a Crazy Cool Christmas. The album will be available next week on Basin Street Records.
Tour Dates
12/12/09 Regent Theatre Melbourne
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12/13/09 Regent Theatre Melbourne 12/15/09 Canberra Theatre Canberra 12/16/09 Opera House Sydney 12/17/09 Opera House Sydney 12/19/09 Thebarton Theatre Adelaide 12/21/09 PCEC Riverside Perth 12/24/09 QPAC Concert Brisbane |
toriamos.com ♥ myspace.com/toriamos
On a similar note, Tori Amos' Christmas album is a reworking of classic Seasonal songs. While it's easy to dismiss these Christamosed song, I think she's doing a fantastic job on changing your expectations of these songs. If you have ever heard any Tori Amos cover songs, you'll notice that she always transforms the original song into something completely new and different. And that's exactly what she's doing on Midwinter Graces.
While some of the more popular and traditional songs, "What Child Is This?" (retitled as "What Child, Nowell"), "Emmanuel", and "We Three Kings" (retitled as "Star of Wonder"), are reimagined, I think there might actually be some original Tori songs such as "Pink and Glitter" and "Our New Year".
What else is new is that she has a full orchestra behind her on this album. You can clearly hear all the sweeping arrangements on all the songs, in particular "Harps of Gold". In contrast, my favorite is "Snow Angel", a quieter song with lots of violins and pianos.
If you're a Tori fan, there's something to like here: a bit of traditional with a bit of modern... but clearly a Tori Amos product. I've stressed before that Abnormally Attracted to Sins will only appeal to Tori Amos fans, with Midwinter Graces, I feel people outside of the Amos circle will like and understand. I mean, who doesn't like Christmas music?
Midwinter Graces is available next week on Universal Republic. You can pre-order the CD/DVD combo on amazon. Unfortunately, my review copy does not include the DVD portion, but I'm sure it's the usual interview and/or music video.
11/03/2009 17:10:02 ♥ vu (
) ♥weheartmusic.com♥twitter.com/weheartmusic♥news.weheartmusic.com
I looked down one side of the sidewalk, then down the other, and went where there were leaves to be crunched under my feet. This was how I made all my direction choices all through town. My head was swirling with what I should have said, if it would have even be heard, thinking of hurtful things said and done. I was not in an awesome place, but I was working it out in my head like I try to do. Talking about it out loud seems to inflame it more, to write about it and ponder it feels safer. I feel like it does not give it the power it needs, it stays quiet and manageable.
Crunching tiny yellow japanese maple eaves under my shoes I noticed someone already had thanksgiving decorations up on the house. One large sign read "Count Your Blessings!" with a very goofy turkey staring me in the eye. I thought "okay Turkey, I will try and switch my train of thought, because I DO have plenty of blessings to count". As I walked another festive home had a thanksgiving flag that read "Be Thankful". By this time my thoughts had grown dark again. I was feeling lonely and wanted to only take pictures of solitude and I was finding none. I Began to think of things I was thankful for, instead of the things I was not grateful for. The sky started turning dark, it was going to rain soon. I started back home.
While I walked I thought how I have lost a little bit of my appetite for photography, lost a little bit of my inspiration. Then when I was almost home, my cell rang, it was designer and he was checking on what color scarf and gloves I wanted. I was happy to hear they would be coming soon. Then when I entered my house I sat at the computer with a cup of hot apple cider and read my emails. My cousin is opening a salon and she wants to sell some of my photos there, and also wants them on her walls. ;-) Love when the universe gives me the nudge to keep going. After chatting with cousin on the phone, I decided to just take a gander at a few blogs that make me smile, like ICHC or Cuteoverload and This one, and what should I find but a photo of a tiny book that you are to list your grateful things in. ;-)
I am grateful for:
*sunshine in the fall
*fresh hot apple cider
*soft bath robe
*hot showers
*homemade leftover split pea soup
*Mr. L
*the kittehs and turtle girl
*silence
*reality (when confronted with one who lives in a world that is not true, reality is good)
*laughter
*art
*tuesdays
*colors
*naps
*people who are willing to listen without analyzing
*goats (yes goats)
*apple fritters
*today
This week my sister shop, TAKE OFF YOUR CLOTHES, is listing some new fall-winter items while working on the TOYC spring-summer collection.
First, the double t-shirt dress is now offered in navy:
Also, appropriate for fall/winter, the v. popular dress is now available in a long-sleeve version:
And finally there is the GHOST JACKET:
I have one in dark grey, and it has been very good to me during these chilly fall days.
There are some other reasons I love this jacket:
-It's got a 2-way zipper in the front.
-To quote Ben J.: "2 crew neck sweatshirts reconfigured : neckline = armhole, one sleeve = collar/hood, one sleeve divided = deep cowl pocket + sleeve extension"
Also, it is very roomy like a poncho, but it rises up in the front and back. That way, your legs still get seen and have some length.
Ben will be listing some other items, so keep an eye out!
Back to work for us!
xo
c
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[1979] Cut
[1981] Return of the Giant Slits
[1997] In the Beginning
[1998] The Peel Sessions
[2005] Live at the Gibus Club
[2009] Trapped Animal
The Slits shocked me when it was announced for their 30th
anniversary forming the band, that they had reformed. I believe only
two of the original band members (Ari Up and Tessa Pollitt) makes up
the new formation, but this is pretty common as far as reformed bands
are concerned (see Guns n Roses, for example).
If words like raw, primal, tribal, experimental, doesn't appeal
to you, then you probably won't like their music. While I do not
generally like the pots & pans music that's so popular today, I do
think The Slits are slightly better than most of the modern stuff.
They've been doing it for ages, and, unlike modern music, they actually
sing and sometime even have catchy melodies.
The other thing The Slits have going for them is that they're
always tackling political and human right issues. "Issues" deals with
child abuse, while "Ask Ma" deals about women rights. These kind of
"freedom"/equality topics are generally associated with reggae music,
and there are a few songs, "Babylon", & "Reggae Gypsy", on the new
album that sounds a bit like reggae. Although, to be fair, The Slits
have always been known to fuse a bit of reggae rhythms and angry female
vocals.
My favorite song is "Cry Baby", which sounds more like a 60s
girl group pop song than the usual Slits style. And speaking of not in
their style, "Be It", sounds like they're singing in Japanese? It's
brilliant, even though I have absolutely no idea what they're singing
about. They are so different that if these songs randomly comes on the
radio, you'd never guess it was the Slits, and I think that's saying
something about their diversity and flexibility in the type of music
they produce.
So find out why Le Tigre name checked The Slits, among others, in their song "Hot Topic". It's because The Slits are, and is, one of the most influencial and important band. Their latest album is Trapped Animal and available at all online stores. Old fans will welcome the new songs, while new fans will be in for a treat with Trapped Animal.
11/03/2009 00:48:26 ♥ vu () ♥ theslits.co.uk ♥ myspace.com/theslits
Lynhurst has the notable distinction of being the closest band to ever live by me.
When the Big Chief, Vu, showed me their CD, my first
reaction was, “I know these guys.” And
after seeing their picture on the inlay of the CD jacket, my second reaction
was, “Wow, they have really grown.”
Let me explain. I have always felt the role of proud, unrelated relative to this brothers-sister trio for over the years I’ve had the opportunity to watch them play at all the south Minneapolis hotspots like Minnehaha Falls, Betsy’s Back Porch and Famous Dave’s.
No matter how young they look, these musicians are already seasoned professionals. Matt and Jake were regularly performing gigs before reaching their teens and Mari, the youngest, wasn’t too long to follow. What amazed me watching them play at such a young age is how comfortable and confident they looked on stage. Their debut album is no different.
The press promotion states that Field Day is the combination of The Carpenters meeting The Cardigans. Some reviews I have read have labeled it as Radio Disney. I would have to say with Mari’s nuanced voice and Matt and Jake’s robust sound, they have created something in between. It's fun, well played rock ‘n roll. “Kiss Me Now” is definitely the radio friendly hit, but I found myself liking all the songs on the CD. In fact, I was surprised how long I kept the CD in the player of my car as I drove through the streets of Uptown, around Lake Harriet, past Java Jacks on my way home.
-Dave
Go forth and fill your libraries with media.
Seriously, thanks to everyone for being so amazing and patient. You are the reason I love Vox.
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